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Ceramic artist molds a rustic lifestyle

By Yang Feiyue | China Daily | Updated: 2022-07-19 13:54
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Liang's graduation presentation, I Do Not Know I Am a Guest When I Dream, made in 2018.[Photo provided to China Daily]

She hung soft sculptures made from white paper from the ceiling, surrounding the white standing ceramic sculptures.

When people went into this space, most of them associated it with marriage because the wedding ceremony is traditionally white in the West.

"However, some of my Asian friends connected it with funerals."

People will comprehend artwork based on their own background. So, there will be different understandings of the art pieces floating in the space simultaneously.

"When people from different backgrounds get interested in these white standing sculptures in a shared space, a kind of communication will start fermenting," she says.

Robbie Heidinger, a US clay artist, considers Liang's work to be "super amazing".

"I love the dreamy feeling and the mix of techniques," Heidinger says.

"Surreal for sure."

Liang's professor, Matt Kelleher, says he saw a different view of power in her works.

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